Newsletter Article
Culturally Sensitive Photography
Like Travel Itself, Photography
Builds Bridges
by Jim Kane
When I think of travel and photography it's difficult to separate the two.
For me photography helps to capture and transmit the sense of place that makes
the destination special. Through the personalities of its people, a country
comes alive, both in person and through photography.
Inevitably, the question arises “How do you know when it's alright to take
photos of people in other countries?” After all, there are major cultural differences
in how being photographed is perceived and often an economic disparity between
photographer and potential subject.
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A Young Akha Girl |
The answer is that responsible photography is very much like responsible travel.
With a thorough knowledge of the place you're visiting, a genuine interest
in sharing and not just taking, an alert intuition, an open mind, enough time,
and a little luck, photography abroad—just like travel itself—can be a vehicle
to build bridges.
By following these eight guidelines while abroad your photographic efforts
will become more rewarding for photographer and subject alike:
• Be informed. Invest time before traveling to research
the customs and photography mores of the place you will visit. Customs vary
not only by country but by region and religion as well.
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Always Ask Permission -
Especially at Religious Events
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• Get comfortable with yourself. Self confidence, an open
attitude, and a genuine smile are important wherever you travel. People will
generally respond to you with the same attitude that you exude. Conversely,
if you are nervous and “sneak around” with your camera because of shyness or
insecurity, they will feel this and, worse, feel they are being used.
• Communicate. It only takes a simple gesture and a smile
for a subject in a foreign land to understand your interest in taking a photograph.
You'll immediately get a clear indication of whether they are a consenting
subject. Not understanding the language should never be an excuse to photograph
an unwilling person.
Learning some simple phrases related to photography in the language of the
country in which you are traveling not only allows you to communicate more
directly with your subject, explaining why you want to take a photograph, it
shows your interest in learning at least some of the local language.
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A Thai Dam Woman |
• Take the at home test. You should treat people abroad with
the same respect and courtesy as you would at home. If you find yourself questioning
the appropriateness of a certain shot, ask yourself if you'd take the same
picture in your home country without feeling awkward.
• Spend time without shooting. Once while riding through
rural Thailand on a moped, I stumbled across some kids playing ping-pong behind
a temple. Wanting to capture this wonderful scene, I just stood there and watched
the kids at play without touching the camera. After a few minutes I asked (through
gestures) if I could play. This was met with smiles and a paddle was immediately
thrust at me. Five minutes later I returned the paddle, smiled, and thanked
them. Only then did the camera come out. Not only did I feel at ease taking
the pictures, the kids were also much more relaxed with my presence.
• Use an ice-breaker. Instantly showing people the photos
you've taken of them can be a wonderful ice-breaker. The photography becomes
less intimidating and more fun for kids and adults alike. They may even want
to turn the tables and photograph you!
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It Helps to Break the Ice before Shooting |
• Give and take? One of the most controversial situations
while abroad is the question of giving money to people you photograph. We've
all been in situations where a once un-touched indigenous community becomes
popular with camera-toting tourists. Soon, there is a bustling business in “authentic” photos
for a dollar each and mobs of children running up to visitors shouting, “photo,
Mister?” On the other hand, isn't a person you've photographed entitled to
some form of compensation? After all, you're benefiting from their presence,
personality, customs, clothing, etc.
Engaging people openly and sharing time, a story, or a drink together is often
the greatest gift for both sides. However, if it is made clear that someone
expects money for a photograph, the decision becomes not whether to pay, but
whether to take the photo. That must remain a judgment call that each of us
needs to make on a case-by-case basis.
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| It's Good to Spend Time to the Photographee |
• No means no. When someone objects to your taking a photograph
you must respect them, even if you don't agree with or understand their reasons.
You are a guest and you must respect their decision.
One recent experience comes to mind. There's a church in San Juan Chamula
in Chiapas, the interior of which is nearly indescribable, because of the blend
of customs the people have adopted. There are no pews, only two long rows of
saints bordering a wide, straw-covered floor where scores of people sit in
individual prayer areas and surround themselves with incense and colored candles.
As a passionate photographer, it killed me not to be able to capture and transmit
this unique display of spirituality. However, there was no misunderstanding
the stern and repeated prohibition of photography inside the church. For the
people of San Juan Chamula photographing this scene and the people inside would
have shown a terrible lack of respect.
So the interior remains unphotographed. And perhaps that's not so bad. Now,
in order to understand this wonderful and mysterious place, one must travel
there, step inside, live and breathe it. Sometimes there's just no replacing
the real experience.
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