The
ORIGIN Thailand Arts Programs
North by North East has been working closely
with Alex Kerr and the ORIGIN Arts programs in Thailand since
2005. In 2007, we’re also excited to report that North
by North East and Alex will be working together to bring ORIGIN
to Luang Prabang, Laos.
Usually, when one visits a foreign country,
one mostly sees places and objects: temples and museums. Maybe
a festival if one is lucky. Or perhaps one hears someone give
a talk or illustrated lecture. But the hardest things to gain
understanding of are the living arts based on ancient philosophies
such as Zen Buddhism or Shinto. These exist only in the bodies
and minds of their practitioners and leave nothing behind. Yet
it is in these arts that the spiritual origins of the culture
are to be found.
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Experience
the spiritual origins of Thai culture |
Physical works such as paintings, sculptures,
and architecture are of course an important part of cultural
heritage. But ORIGIN focuses primarily on "arts of living
and practice". Only when one has understood these, do the
paintings and other art works start to make sense.
With
a 30-year history of tuition in Japan, and ten years in Thailand,
ORIGIN is a uniquely designed program for teaching the traditional
arts of Asia. It currently operates in Kyoto and Tokyo in Japan,
and Bangkok and Chiangmai in Thailand. The name ORIGIN refers
to its basic aim: to introduce the spiritual origins of each
culture, that is, the human wisdom that lies hidden within the
traditional arts. This is done in short but intensive programs
where students learn hands-on with master local teachers, in
which they experience up to four different arts in a day.
One
of the most exciting take-away's from this program is to discover
through your own experience the common threads that run through
all of the arts. In a Kyoto program this might be noticing with
your own body how the kamae pose of Noh theater is the same
as the sword stance in martial arts, and is even mirrored in
the movements of the tea master wiping the bamboo scoop. In
Bangkok, this insight could take place after a program, upon
suddenly seeing the principles one has learned in Khon classical
dance, Marayaat etiquette, flower offerings and Lai Thai design,
re-appear in the architecture and paintings of the Grand Palace.
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Creating
the artistic threads found throughout the Kingdom |
The ORIGIN experience aims to give people a
set of mental tools to understand the traditional culture they
are in. For the engaged visitor, this can bring a different
level to the way in which one encounters the people and places
of a country. (For this reason we always recommend that visitors
try to experience the ORIGIN program as early in a trip as possible.)
In Bangkok, a program begins with the participants
gathering over fresh fruit and coffee in the leafy garden of
the ORIGIN art center in the grounds of Khun Santi's house at
Soi 60 Ladprao Road. This is a beautiful high-walled complex
of traditional Thai houses on stilts, surrounded by lush fan
palms and banyan trees – upon entering through the tiny
gate it feels as though one has stumbled into a hidden oasis.
Alex launches each program with a half-hour
Orientation, in which he gives the day’s agenda an introductory
grounding in Thai (and Asian) history, religion, and arts. Participants
then gather in the polished teak dance pavilion, where they
learn the basics of traditional Thai etiquette: how to sit,
walk, give and receive, and wai (pay respect by raising the
hands with palms together). Unlike the now quaint Western notion
of “etiquette”, Marayaat in Thailand is a crucial
part of peoples’ daily interactions. After doing this
class, one will suddenly begin the notice the depth to which
these graceful forms of social intercourse permeate the lives
of the Thais.
Students
are next given bright cotton jongkraben traditional trousers
to change into, and then it’s back to the dance pavilion
to pay respect to Ganesh. The portly elephant-headed god is
patron of the arts in Thailand, and flowers and incense are
always offered before beginning the Khon dance class. The Bangkok
program focuses on the classic arts of the Thai court, and these
are epitomized in the refined movement and ornate elegance of
this dance form.
After having learned, among many other things,
how to gracefully flex one’s fingers into the two basic
positions of wong and a jeep , students take a break for a relaxed
lunch of home-cooked Thai food upstairs in one of the teak houses.
In
the afternoon, it’s time for Lai Thai design, and the
art of creating traditional flower offerings from banana leaves
and jasmine. These flower offerings, known as bai sii, can be
seen in a myriad of sizes and styles in Buddhist and Hindu ceremonies
throughout Thailand. After learning the meaning of the shape
and elements of these arrangements, students then make their
own bai sii from scratch, starting with the folding and assembling
of pliant banana leaves.
Finally, after a break for coffee and snacks
in the garden, students return to the same (air-conditioned!)
studio to learn about Lai Thai design. Lai Thai is the art of
creating the graceful, flame-like patterns that are found here
in everything from fabric prints to temple eaves, and from Khon
masks to corporate logos (to say nothing of Thai money.) These
patterns, so recognizably Thai, are basically fractal in nature,
reflecting the same repetition on different scales that determines
the forms of plant leaves and flames. During the class, students
are given a brocade-bound book, and shown how to draw several
basic designs in pencil. At the end of the day, they recreate
these patterns in their books with a fine brush and glue, and
lay gold leaf over the surface. After brushing the excess away,
students are left with their patterns etched in gold in the
books, which they take home as souvenirs. For longer programs,
students also study Thai martial arts, and learn traditional
dessert-making.
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Learning traditional
Thai design in modern day comfort! |
After
a full day of study, participants then freshen up back at the
hotel before paying a visit to Alex’s private home for
a special dinner party and arts evening.
The idea behind this party is to give guests
a chance to see the arts they’ve studied during the day
come alive in an authentic context. The highlight of the evening
is performances by the Bangkok program dance troupe (one of
Thailand’s finest), with a live Khon orchestra playing
throughout the evening. Having learned the hand and foot motions
of dance in the program, guests now see professional dancers,
dressed in gorgeous gold and brocade costumes and wearing masks,
perform a full classic dance. Enjoyed at close range in a private
setting, this is an experience not easily forgotten. Likewise
guests eat food and desserts cooked as they have seen in class,
in a room decorated with flowers such as they have made, and
so forth. The final dinner is a valuable – and really
fun – way to bring all the arts together.
These Bangkok arts trace back thousands of
years to India, Java, and the Khmer empire at Angkor Wat, and
were later brought to their present high level of refinement
within the Thai court. In contrast, the ORIGIN program in Chiangmai
concentrates on the arts of Lanna, the old kingdom of the north.
These are related to the ancient culture of the peoples of the
Mekong River valley, including the Lao, the Burmese, and ethnic
groups of southern China and Vietnam.
The Lanna program takes place at ORIGIN’s
Chiangmai arts center, a private park setting with grassy open
spaces and huge old shade trees, situated on the grounds of
Chiangmai University. A group of seven old Lanna teak houses
have been reconstructed on the grounds, and it is here that
the program takes place.
The emphasis in Chiangmai is on the vibrant
Northern cultural mix: ancient Mekong traditions, influences
from China and central Thailand, animism, shamanism, and the
delicately playful arts nurtured within the old northern court.
Course elements include traditional textiles (in collaboration
with textile expert Patricia Cheesman [spell?]), dance and music,
flower arrangement, lantern making, and cooking using natural
ingredients from field and forest.?? The Lanna ORIGIN program
also culminates with a special party, with guests dining on
their creations from cooking class while watching the teachers
and dance assistants put on a traditional northern style dance
gala with live orchestra and jaw-dropping costumes.
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Lana traditions
come to life with 'jaw dropping' costumes. |
For visitors with time, experiencing both programs
in succession offers a unique window into the "yin and
yang" of traditional Thai culture, showing the nobility
and refinement of royal Bangkok, and the grace and freedom of
old Lanna.??
?The challenge in countries across Asia is
that it's very difficult for visitors (and also young people
from those countries) to meaningfully access the traditional
arts. ??At the low end of the scale are the ubiquitous "tourist
shows" in which case the spiritual values are degraded.
Higher up are "demonstrations" of arts or dance, but
these usually lack a context or explanation to make them truly
understandable. And at the top end are the orthodox traditions
preserved in universities or palaces – which are mostly
closed to outsiders. The teachers of traditional arts in Asia
are mainly used to teaching only to students who are going to
dedicate their lives to the art form. But most modern people
are not able to do that. We seek to learn something of lasting
value from the arts, but after that we must return to our everyday
lives.
Until recently, there have been no programs
aimed at this need. North-by-Northeast is proud to be working
with ORIGIN to fill this gap. These arts programs introduce
traditional Thai culture in a way that's true to the high tradition,
can be experienced in a short period of time, and – most
importantly - in a way that's fun and understandable for modern
people.
First coming to Japan with his family at the
age of twelve in 1964, Alex Kerr has remained deeply involved
with Japan and East Asia ever since. He majored in Japanese Studies
at Yale University (1969-74), spent a year at Keio University
in Tokyo, and earned a BA and MA in Chinese Studies as a Rhodes
Scholar at Oxford University before returning to live and work
in Japan from 1977.
During the 1980s and early ‘90s Alex headed
the Japan operations of US real estate giant Trammell Crow Corp.
He is an avid calligrapher, collects and deals in antique Japanese
and other Asian art, and has long been deeply involved with the
Kabuki world in Japan. Alex is also Chairman of Iori Co, a company
that restores traditional old machiya townhouses in Kyoto as places
for visitors to stay. Since January 2006, Alex has served on the
Prime Minister’s Committee on Tourism in Japan.
In Japan, Alex is best known as a writer and
public speaker. He wrote his first book LOST JAPAN (Japanese edition,
1993; English edition, Lonely Planet, 1996) in Japanese. For the
Japanese edition, Alex became the first foreigner to win the Shincho
Gakugei Prize (Japan’s equivalent of a Pulitzer), for the
best work of non-fiction of 1993. His next book, DOGS AND DEMONS
(English edition, Hill and Wang, 2001; Japanese edition, Kodansha,
2002) has had an even greater impact, describing in detail “Japan’s
modern troubles”: the malaise affecting Japan since the
1990’s – from failing banks to education to the environment.
Especially on the subject of city planning and tourism, this has
made Alex a regular speaker (in English and Japanese) on the lecture
circuit, addressing groups throughout Japan on how to beautify
and revive cities, towns and rural areas.
Since the 1980s, Alex has devoted a large amount
of his time to Thailand and SE Asia, and currently maintains a
home in Bangkok as well as Japan. Alex’s next book (publication
date TBA) will be an essay-style appreciation of Bangkok life,
along much the same lines as Lost Japan.
The history of ORIGIN goes back to 1976, when
a group of visionaries created the Oomoto School of Traditional
Japanese Arts at the Oomoto Foundation outside of Kyoto. The founders
included art collector David Kidd, Oomoto Spiritual Leader Mme
Naohi Deguchi, Dean James Parks Morton of the Cathedral of St
John the Divine in New York, and Buckminster Fuller. This school
was the first attempt to teach all the Japanese arts in a unified
way in a beautiful context — and over the next 20 years,
it produced many hundreds of alumni across the world whose lives
were transformed by the experience.
During those two decades the program developed
a unique approach to teaching the traditional arts to modern people.
Alex worked as manager and director of the Oomoto School from
its inception, and after it closed in 1997, it was his dream to
revive it in new guise, not only in Japan but in other Asian nations
as well, especially Thailand. It took eight years, but finally
in 2005, the ORIGIN Arts Program was born.